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 WASHINGTON, March 30, 1861 DEAR STUART: Cousin Lizzie shows me your letter of the 27th. For this, however, bokep xx ms sfms is perhaps sufficient excuse that he could write only in intervals hardly snatched from business and sleep., .

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, article Kordax, has collected the majority of passages in the classical writers, bearing upon this subject, but from this disorderly collection bokep xx ms sfms is impossible to arrive at any definite description of the cordax., .

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For the Pallladian façade this system of proportions was combined with the architectural elements of the Roman temple consisting of a rusticated basement, columns or pilasters, entablature (including the cornice and pediment) and attic. Five types of columns with the superstructure they supported – known as the Five Orders – were used to determine the adornment of the façade (see drawing below). The Five Orders were the Tuscan, Doric, Ionic, Corinthian and Composite and were easily distinguished by the particular carving of the capitals and their individual proportions. The Orders were applied to a building for decorative purposes and also to ‘order’ the design of the facade. The Orders were either applied to the facade or implied by dividing the facade in height according to the divisions of an individual column. Even where the main architectural components of the temple were absent their presence could be implied by the use of certain details. Thus a cornice or even a flat string course was used to suggest the location of the entablature, or a sill band or string course at first floor level could be used to indicate the line of the column base while another above the ground floor windows could be used to indicate the junction between the column pedestal and temple podium. In a three storey high house, for example, the temple composition was implied by the ground floor storey corresponding to the area of the podium while the two stories above fell within the area of the column shaft. For the largest and grandest terraced block the temple formula provided further inspiration for the front. By adding a pediment over the centre the row was given a palace-like front. Now the overall unity of the design was more important than the facades of individual houses. John Wood (1704-5) adopted the palace front for the north side of Queen Square in Bath, started in 1728, and thereafter the pediment was widely used.
Lady Tweetmouth 11 Jul 17
Replying to @RookieKE
3. quot;Following your passion quot; is often about privilege. The privilege of a safety net/someone underwriting your passion

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At the Roman tables the birds, the dormice, or the fish, which appear of an uncommon size, are contemplated with curious attention; a pair of scales is accurately applied to ascertain their real weight; and, while the more rational guests are disgusted by the vain and tedious repetition, notaries are summoned to attest by an authentic record the truth of such a marvellous event., .


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